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FRACTAL FREQUENCIES

 



CHECK OUT THE VIDEO:

https://www.facebook.com/Jan-Swinburne-173312286067833/

 

About The Installation

 

Fractal Frequencies is an exhibition of paintings and sound. Each painting is a unique work and also represents a unit of sound.

 

The installation pattern on the South wall of the gallery is structured in a Piano Roll form using the Morse Code sequence for the word “MUSIC __ .._ … .. _._.”  at the frequency A2.  That was the starting point for developing this exhibition. This pattern is then augmented with additional note-paintings forming visual chords that correspond to the audio created by myself and Philippe Gerber.

 

This exhibition is built around the aesthetic underpinnings of Fractals and Complexity Theory and the relationships between the use of visual and auditory properties of Morse and Piano Roll code.

 

The ultimate task of this exhibition is to compose chaos. Like all things in Nature, the expression of complexity is uniqueness constructed with recurring patterns.

 

 

Jan Swinburne is a visual artist whose interdisciplinary practice makes use of traditional and digital media. Swinburne approaches all media from a painter’s sensibility and this drives her aesthetic. At times her work mutates into large-scale, site-sensitive installations and projects.

 

Known locally for her visual arts, Jan Swinburne is visible in the New York City and Brooklyn underground experimental music and video scene via her association with Alrealon Musique record label to which she signed in 2015. Her sound work has appeared through The Wire, WFMU's Strength Through Failure with Fabio, The Chill Room and Little Water Radio.

 

For a sneak preview of our tracks click here:

https://soundcloud.com/alrealon-musique-stream/sets/jan-swinburne-fractal-frequencies

 



Advanced Catastrophe Tenders Grace 2016. Acrylic and medium on board. H1'xW2'

AY1PnAL6trX8jOnoWOHv_kROELIfUY-VVXn_dpAo

--

janswinburne.com

https://soundcloud.com/theswinburne_complex

https://www.facebook.com/events/670579049780083/

https://twitter.com/SwinburnePlex

 

JOHN 3:16 is Philippe Gerber, whose Heat From A DeadStar existed between 2004–09 and worked with Rick Harte / Ace Of Hearts Records in Boston. As JOHN 3:16, Gerber has released numerous works via Alrealon Musique, Flood Records, Little Crackd Rabbit Records, Lost children, 75orLess, White Label Music, Venus Aeon, Classwar Karaoke, Trace Recordings, The Wire and more. He has collaborated with artists such as Pas Musique, TheUse, Rasplyn, Anthony Donovan, Philippe Petit, I-Symptom,Eisenlager and Mark Harris.

john316john316john@gmail.com

 

http://www.john316experience.com/

https://soundcloud.com/john316john

https://john316.bandcamp.com/

http://www.alrealon.com/artists.html

 

 

FRACTAL FREQUENCIES was generously supported by:




 


This spring I had the privilege of working with a fine group of artists for the sound installation  "Navigating Wellness" that is taking place for Nuit Blanche on on October 1st on CAMH grounds and is described as “A site specific sound installation reflecting lived experience of recovery and wellness.” Well, in life, everyone is navigating something. We had more than a few laughs. To have the opportunity to generate audio echoes of collective histories within such an ambivalent environment, was at times an exhilarating and daunting challenge for which I am grateful to lend my sonic presence to. The project is the brainchild of Workman Arts with New Adventures in Sound Art.

 

In a somewhat ironic and unintentional twist of logistics, both artists and project leaders names have been omitted from the official Nuit Blanche independent projects description. We are not a formal collective. We are individuals who came together for this project. These sorts of omissions happen, however in the broader context of the project’s aims of “reflecting lived experience” this oversight unintentionally speaks volumes to “lived experience”, to one’s relationships with over-shadowing systems, to disenfranchisement, to stigma and the seemingly endless situations of anonymity, either chosen, enforced or simply fumbled.

 

So I am taking advantage of this oversight to highlight our contribution, to speak to history, and to buffer any preconceptions about this omission by reclaiming our presence, and offering up our particular chorus of “Navigating Something”.

 

I hope you can make it out on October 1st to have a listen and perhaps have a moment.

 

We are:

 

Participating Artists:

James Buffin, Carrol Louie, Sarafin, Jan Swinburne, Lisa Walter & Kerry Westell

 

Lighting Design: David Sweeney

 

Project Divisors and Technical Support: Chris Mitchell for Workman Arts, Darren Copeland & Matthew Miller for New Adventures In Sound Art

 

And for a closer listen, you can check out our tracks here:

https://soundcloud.com/workman-arts-audio-stream/sets/hearing-voices-nuit-blanche

 

Art Is Hope.


I have been truly honoured to sign with Alrealon Musique for the release of Consensual Enigmas.

 

"Alrealon Musique is proud to release the new EP from Canadian multi-artist Jan Swinburne
Jan Swinburne 'Consensual Enigmas' (ALRN056)
Limited Edition CD-R in a DVD Case (99 copies only) + Digital: 
$5.50 + $3.50 (USA)
$5.50 + $5.00 (Canada)
$5.50 + $10.50 (Rest of the World)
Jan Swinburne's CONSENSUAL ENIGMAS began as an art video inspired by the life and paintings of Francis Bacon. Through invitation, the work soon developed into a remix project of corresponding video iterations with audio track remixes by Ryan Campos, Marco Fierro and Philippe Gerber/JOHN 3:16, each lending their own unique voice to the spare original.
Tracklist:
1. Consensual Enigmas (Original Mix by Jan Swinburne)
2. Consensual Enigmas (Ryan Campos Remix)
3. Consensual Enigmas (Marco Fierro Remix)
4. Consensual Enigmas (Philippe Gerber/JOHN 3:16 Remix)
https://alrealonmusique.bandcamp.com/album/consensual-enigmas-alrn056
with ryan campos, Marco Fierro, Philippe Gerber / JOHN 3:16
https://itunes.apple.com/in/album/consensual-enigmas-ep/id1008548563?app=itunes&ign-mpt=uo%3D4 "



Art is hope.

Now back to the studio.


Say Yes

 

Say Yes. Yes Yes Yes…

 

Or: How the Hobby Mutates.

 

“Hey I see you are giving your track away. It is so good.” What a gift. “I am just getting into making these glitchy videos; can I make one for your track as a way of saying thanks for making music that deeply touches me?”

 

I'm not sure artists have hobbies.

 

We said yes.

 

So here I find myself, a tech challenged outsider with a passion for sound and light and motion whose art is mutating in all directions. All I have ever hoped for from the universe is a chance to make stuff and get it out there, at any capacity. Everything else is gravy. Mmm gravy.

 

So stuff has happened. And it’s pretty neat.

 

I made this video called CONSENSUAL ENIGMAS . It is loosely inspired by the life and works of the painter Francis Bacon. I thought it would great to ask a few musicians I admire if they would like to remix the track.

 

They said yes. Yes.

 






 

I was incredibly honoured that Ryan Campos, Marco Fierro and Philippe Gerber said yes. And as it happens, the label Alrealon Musique said yes too and we are releasing the project as an EP, available here: https://alrealonmusique.bandcamp.com/album/consensual-enigmas-alrn056

 

And a big shout out to All Real Sound for the mastering!

 

Yes.

 

And FILMIDEO 2015 at Index Art Centre in New Jersey said yes too. THE PRINTER BECOMES THE PRINTED was screened in April along with an impressive line up of creators from around the world.



photo by Jim Tuite
 

Yes.

 

A lot can happen with a yes. It’s my word of the day.

 

 

 

 


 

I’ve been getting into creating videos in earnest over the last year or so as a means of working in a painterly manner that incorporates music/sound. I have always relied on music and sound for inspiration in painting, so diving into experiment with video feels like a natural progression.

 

On this journey I’ve managed to find an amazing community of artists via social media who have contributed to a feeling of homecoming like I first experienced upon meeting the instructors of the Experimental Arts program at the Ontario College Of art and Design University (formerly the Ontario College of Art).

 

Naturally, I was enormously pleased with the acceptance of my video IF THEN to the video night of the EMF6 festival; screened at Spectrum NYNY and curated by Jim Tuite. This year the music programming was curated by Robert L. Pepper (PAS Musique and founder/director) and Philippe Gerber (JOHN 3:16, Heat From a DeadStar, mNIPK).

 

There was an amazing line up of videos and performances that have provided me with an abundance of inspiration.

 

As someone new to EMF, I have to say the combined efforts of PAS Musique and Alrealon Musique infused the festival with a warmth and enthusiasm to bringing a wide range of individual expression to the public. Making events like this happen is a lot of hard work. The general goodwill was both obvious and refreshing to me especially since I was only able to attend the last two days of EMF6, when surely the core organizers must have been somewhat exhausted.

 

To quote the EMF6 Home Page: The festival is run by the Brooklyn based experimental audio/video project PAS Musique and Alrealon Musique. The festival focuses on new and innovative techniques of sound technique and performance. We are focused in developing a network of experimental arts that are supportive of their peers. It is not about ego but about community.”

 

I want to thank everyone for their creativity, kindness, generosity and determination in presenting this memorable festival.

 

Art is hope.

Now back to the studio. 

 


It was pleasant news to have my video collaboration with Kronofonika, "The Printer Becomes The Printed" included in this year's Classwar Karaoke survey.

 

To view this year's video survey click here: https://www.youtube.com/playlist?list=PLBR_9kqZNHlXlvnODzJiCsCPYzpdIF_MU 

 

"Founded in 2008, Classwar Karaoke is a label dedicated to the release of experimental music and short-films; principally, by means of a series of ongoing quarterly surveys, made available via this page & hosted by sites such as the FMA Free Music Archive, Internet Archive, Facebook, under Creative Commons license 3.0."


Find out more here: http://www.classwarkaraoke.com/


To check out the unique sounds of Kronofonika check them out here http://kronofonika.se/


Art is hope.

Now back to the studio.


It was a pleasure to find out that these two pieces were published in The Big Art Book http://scarborougharts.com/big-art-book-2014/ .



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Jonas: You Are Loved

 

You are loved.

Jonas sat staring at the three words scratched in to the stainless steel on the side of the subway seat. His adolescent body tried to claim sleep as he lolled with the motion of the car. He watched the tiny words that were haplessly and willfully engraved pass in and out of darkness. This made his eyes as heavy as his heart. He had been made homeless for three days after his parents had discovered him. They had discovered “him” as if by accident through their hectic self absorbed fog. He had stopped any effort to hide himself a few years back, but for some reason they had only just made the discovery. The words felt like a beacon calling to him, a hope that would rise and fall with time and motion. There, scratched in steel, the intangible words seemed so permanent when he could see them, and so lost when he could not. He watched it for hours, slowly taking it in, tending to it.

That was the day he forgave his parents.

 

For more Jonas pieces and other musings, feel free to check out my notes at https://www.facebook.com/jan.swinburne/notes

 

Art is hope. Now back to the studio.

 



 

 



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Painting under glass is always a peculiar thing. After considering the site in terms of this theme, I was pleased when Workman Arts http://www.workmanarts.com/ accepted this proposal for The Shopper's Drug Mart / Workman Arts Window Gallery.


We are a culture of convenience, the short hand experience. We hurriedly catch ourselves in the reflections of our environment between destinations.


I was curious to test these works that are anathema to this reality with this installation; a chance to play with ideas of content and reflection. Contemplation can happen in mere moments or over extended periods of time, but does it ever go any further than our own relfection? Or can it just be a fleeting experience amidst a lot of noise?


This is one aspect of the window gallery: that we may stumble upon ourselves but see something else, an unanticipated second layer of reflection. At least for a moment.


The exhibition runs until April 29, 2014. Located on Lower Ossington and Queen Street West. Toronto.